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Martin O'Neill
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advertising corporate design editorial publishing subject techniques / style

advertising

advertising movie posters mural product

corporate

business corporate financial money

design

conceptual icons installation logo maps packaging signs

editorial

editorial lifestyle magazine cover

publishing

adult fiction book covers book jackets publishing

subject

animals books buildings celebrity children cityscapes clouds fashion film floral food & drink hands insects landmark landscape music nature people political portrait rainbow religion seascape space transport travel women

techniques / style

collage hand made mixed media papercut pop sculpture

Biography

London born Irish bred Martin O’Neill is a graphic artist & illustrator who creates mixed media collages for a wide range of International clients across publishing, advertising, design, film and interiors.

Martin’s work evolves from a subtle alchemy of collage, silkscreen, photography, paint, and digital techniques. Originally from a printmaking background he approaches projects with an analogue perspective whilst offering hand cut or digital collage solutions.

Years of hands on studio experimentation have resulted in his unique and instantly recognisable brand of image making. This constantly moving array of processes fuel an evolving practice which also includes typography, installation and animation.

Martin works from a large archive of found and self generated material and also with stock and client supplied imagery.

Clients:
Oprah Winfrey, British Airways, HRH Historic Royal Palaces, Chivas Brothers, Oxfam, Youngs, Aston Martin, Puma, Random House, Netflix, The Bloomsbury Hotel, The Lincoln Center NYC, Scientific American, The Folio Society, The Guardian, Liberty, Merzbarn.

Quotes:

“If Peter Blake is the Paul McCartney of collage, then O’Neill is its Tom Waits, a pre-digital artist for a post-digital age. “ John L Walters. Eye Magazine. Eye 69.

“Illustrator and graphic artist Martin O’Neill has built an international reputation by being so defiantly old-school, analogue, hands-on, scissors and paste that he appears almost avant garde. A man among mouse mats.”
Chris Middleton. Instant Graphics. Rotovision.


Recent Industry Accolades:

Sundance Film Festival 2020 Premiere: Titles sequence & animation - LOVE FRAUD
[https://www.sundance.org/projects/love-fraud](https://www.sundance.org/projects/love-fraud)

Guardian Children’s Book of the Year 2019: James Rhodes Playlist.

V&A Shortlisted: Illustration of the year 2018.

American Illustration Wins: 2019, 2018, 2016, 2014, 2004.


Interviews:

Peggy Roalf American Illustration:
[http://www.ai-ap.com/publications/article/13617/the-qa-martin-oneill.html](http://www.ai-ap.com/publications/article/13617/the-qa-martin-oneill.html)

Paul Burgess – Q&A with Illustration Course Leader. Brighton.
[http://cutitout.co.uk/about/q-a-with-paul-burgess](http://cutitout.co.uk/about/q-a-with-paul-burgess)
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