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Billie Eilish / Service 95
Alastair Campbell / The Economist
Clasped Hands
Albert Camus / Great Short Books
Embracing Extinction / Tricycle Magazine
Cactus With Fingers
Tue Sy / Tricycle Magazine
Caravaning In Walberswick
Modern Speeches / Penguin Books
Anthony Burgess / Great Short Books
Rüppell's Fox / Interroll Magazine
Ilhan Omar / Dwell Magazine
Hilton Carter / Dwell Magazine
Troye Sivan / Service 95
Hendrick's Gin Duncan
The Last Enemy / Penguin Books
Glenn T. Miller digital painting / In Trust Magazine
Web Category Drawings / Marwood
Bromeliad
Self Portrait / Dwell Magazine
Elon Musk
Jennie Black / Services 95
Zoe Whitley / LUX Magazine
Sheepshead Minnow
Fracture Cover / Profile Books
Joe Biden / The Guardian
Sefl Portrait Digital Sketch
Jerome Bryon / Dwell Magzine
Glasses Watercolour
Fat Lava Pot
Marcus Aurelius / Books That Make The World
Remote Working
Quastenflosser
Rishi Sunak / The Guardian
Que Minh Luu / The Australian
Zora Neale Hurston / Great Short Books
Ernest Hemingway / Great Short Books
Darkness And Light
Robert Pritzker / Vanity Fair
Collared Pranticole / Paul Smith
Past And Present
Tosin Oshinowo / Dwell Magazine
Sarah In Stripes
Sketchbook Work
David Watson
Collared Flycatcher / Paul Smith
Toni Morrison / Great Short Books Portraits
Sarah In Stripes 2
Low Tide
Sketchbook Man In Hat
Self
Glenn / FT
Ludovic Weber / FT
Sarah In Polka Dots
Sketchbook Dog
Glen Lutz / Services 95
Aspodistra
Unknown Lady
Macky Sall / The Economit
Voltaire / Great Short Books
Ben Jomes / Google
Collared Dove / Paul Smith
Kate Chopin / Great Short Books
Biography
As an introverted child I would use drawing as a social tool, enabling me to make an impression from a distance. This early standpoint of ‘observer' rather than ‘participant' forever positioned ‘people' as a prominent focal point in my work. Time and again, this has manifested itself in portraiture, but the influence and impact of humankind also finds its way into other areas. No matter the topic, I'm invariably looking for the human connection.
I intentionally explore multiple mediums in my work. Doing so keeps things interesting for me, which is important in maintaining enthusiasm for one’s craft. I find it liberating to have more than one tool with which to create something.
My clients include, Apple, Art Basel, Christie’s, The Economist, Google, The Guardian, National Geographic, Penguin Books, Pentagram, Tricycle Magazine, and Waitrose.
