Début Art's new office in NYC opened recently. Located in the Meatpacking District, the office is able to respond expertly, creatively and rapidly to any and all inquiries. Kat Irannejad is the primary contact and she is available to visit all clients in the NYC area. Contact her at [email protected] or 212-995-5044. Kat will be able to place any of the 160 highly original world-class illustrators, motion artists and designers represented by Début Art's at your disposal. Kat has a range of reference items available to mail to you upon request.
Some recent news from NYC:
Craig Robinson designed Bloomberg Businessweek's "Best Business Schools 2010" cover (left) last November, and it recently garnered an SPD nomination for their annual awards for "Best Illustrated Cover". More recent covers are Justin Metz's "Crisis" cover (center), and Jethro Haynes' "Jungle Justice" cover (right).
Tado have been working with Nickelodeon to come up with an exciting new spot for both Nickelodeon and Kmart. Here’s the finished result, keep your eyes peeled for it on a TV near you!
Andrew Archer's 'Wall Street Men as zombies' cover illustration for the New York Observer.
La Boca's magical artwork about solar power for GreenSource Magazine.
Ron Kurniawan's stellar Google illustration for Fast Company magazine.
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.