Happy new year folks, and welcome to 2012.
Long time collaborators, and studio buddies, Mac Premo & Oliver Jeffers were commissioned by the folks at iPad magazine The Daily to create this beautiful stop motion animation for The Daily's review of the year 2011. Stills can be seen above.
Regarding the process, and mainly in Mac's words here.... Oliver Jeffers and Mac Premo compiled a list of "those events so pertinent as to be relevant to the fabric of shared existence, so absurd as to remind us of the fragility of said fabric, or some intriguing place in between."
Mac Premo then solicited the extraordinary talents of his wife, Adrianna Dufay, and recorded a voiceover headlining each story, using that as a structure for the video. From there, Oliver Jeffers and Mac went to work, making a video / visual / animated / moving illustration image that illustrates the year in review according to the following 2 rules:
"The path of least resistance between our collective brain and the idea we are communicating."
"The path of most straightforward aesthetic responsibility to the communication of that idea."
After shooting all hand drawn, and collaged elements, Mac edited the video to the voiceover. With Oliver and Mac filling in the holes with some random things to throw and scrape, + of course the sound effects.
To download The Daily, hit this link direct to iTunes and look out for more collaborations between Mac & Oliver over the coming year.
To see more of Mac Premo's collage/print work click here or to see more of Mac Premo's videos click here.
Then... to see more of Oliver Jeffer's illustration work click here.
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.