Viktor Koen is exhibiting his latest collection of work entitled 'Metamorphabets' at The Type Directors Club in New York from March 22nd to April 30th 2012.
Metamorphabets showcases Viktor Koen's ongoing preoccupation with integrating images, symbols, and concepts into typography. For the last fifteen years, illustrated type has been a natural extension of his work as an illustra- tor and artist. Drawn to typography in his senior year of art school in Israel, he now considers graphic design to be second nature to him. From the publication of his limited-edition portfolio, Funnyfarm: The alphabet of mental disorders, in 1998 to the most recent exhibition of Warphabet in Athens last November, his commitment to social criticism has found expression in his meticulously structured typeforms.
Even words constructed for assignments with specific thematic requirements incorporate his seamless and layered approach, his preferred textures, and the (even if only momentary) believability with which he tries to infuse his images. After completing one such assignment—a cover for The New York Times Book Review—Steven Heller commented that “this ‘job’ was...the first sign to me that Koen could be a Photoshop scribe” and that “during the ensuing years [Koen] has...given new meaning to Moholy Nagy’s term ‘typo-foto.’” Heller concluded that Viktor Koen’s “compositions are a kind of beacon in this age when the computer is altering many of design and typogra- phy’s standards.”
To see more of Viktor's folio click here
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.
Début Art is very excited to welcome in Jay Gordon. Jay Gordon is a Cape Town based illustrator with 14 years experience creating artwork for a spectrum of clients ranging from editorial illustration to product campaigns, packaging, poster designs and everything in-between. His twin passions are draftsmanship and storytelling inspired by great cinematographers, novelists, golden age illustrators, comic artists and graphic designers. You can find Jay's full portfolio here.