Velocity Man takes the Cake
Exhibition poster for Bike Art Thessaloniki in Greece, featuring work by 60 artists, with limited edition prints available for sale. The proceeds went to fund much needed local school painting projects.
"Falling back in love with my gas mask collection is but a healthy kind of thing for a man going through his middle age crisis (getting a new fast car is not an option as I never had a driver’s license) and using one for this image came naturally, as natural as the air we breath in urban environments, especially when riding bikes and often stuck behind a blooming car muffler. Even though the original name for this character was “Bike Rider from Hell”, I optioned for a fin instead of bat wings as this was a piece about cycling and not demonics. After torturing myself for a good poster title through endless showers and dish washing, “velocity” came to me as a perfect double entendre solution while on a bus, enviously watching Manhattan bike messengers wheezing past me.
A few months later, Velocity poster received the Communication Arts magazine Excellence Award. Yes, I called my mother immediately and tried to explain the magnitude in having one of the 168 images to make it in the CA 2014 Illustration Annual issue, out of 4.362 submissions, but she was not impressed."
For more on Viktor Koen, and to see this portfolio click here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.