Joe Wilson and Helen Friel have been working with with London's Savoy Hotel to create the world's first ever pop-up cocktail menu.
Since it first opened in 1889, The Savoy has used beautiful colour illustrations to embellish it's menus and head barman Chris Moore wanted to tap into this rich visual tradition to create an entirely contemporary and unique cocktail menu for the hotel's lavish Beaufort Bar. Chris was inspired by a pop-up brochure he discovered in the Savoy's archives from 1938 and that's when he approached us to help realise this vision.
A year in the making, the limited edition 15 page pop-up menu is a true collaboration between Joe, Helen and Chris (whose team developed an entirely new selection of cocktails for the menu.) Joe provided his painstakingly detailed drawings for Helen to engineer into a fully functioning pop-up book, designed to take the viewer from light to dark, on a journey through the course of the night, with cocktails for the early evening through to the small hours. The menu’s pages throw open a heady world of characters, tales and scents, with each exquisitely crafted cocktail telling its own unique story.
Watch the 'making of' video here
Photography by Toby Summerskill
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.