Patrick George's poster was one of the three winning images from the UN's World Wildlife Day poster competition organised by the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES), with this inspirational and clever depiction of an elephant against the blue background of the UN flag.
There were more than 300 entries from around the world in this year's event and according to the CITES secretary general John Scanlon, the overall quality of the entries was inspirational.
"The World Wildlife Day poster competition has helped to raise awareness about wildlife conservation, particularly the challenges facing elephants, in a very creative way. People from right across the globe have used their artistic talents to graphically express their support for wildlife, which is a great inspiration to all of us."
Next month Patrick George will put on his first solo exhibition, 'Wildlife Matters'. The show comprises of new work created on the theme of animal welfare and a selection of commercial work for clients including Global Blue, GQ, Hilton Hotels, Lloyd’s of London, Microsoft, Sunday Times and Washington Post.
"In the same way that animals and faces start appearing out of cloud formations if you stare at them long enough, I enjoy doodling over a brief until an unexpected solution presents itself. Different elements can combine to give greater impact, or create a narrative".
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.