We are delight to share the news that Corey Brickley and Peter Strain are proud winners of the Communication Arts 2017 Illustration Competition, receiving an Award of Excellence. Corey Brickley for his dramatic album cover artwork for the release of Blood Youth’s debut album ‘Beyond Repair’ and Peter Strain for not just 1 but 3 covers produced for Arborist’s debut album ‘Home Burial' & 2 singles.
Of the 3,995 entries to the 58th Illustration Annual, only 178 were accepted, representing the work of 159 artists, making the Illustration Annual the most exclusive major illustration competition in the world.
Published each May, the Illustration Annual incorporates special reproduction techniques developed by CA, including quality 200-line colour separation and printing on premium 70 lb. coated paper by one of the finest printers in the United States. Everything that was originally in colour is reproduced in colour at a size that allows the concept to be understood.
About Communication Arts
Communication Arts is a professional journal for designers, art directors, design firms, corporate design departments, agencies, illustrators, photographers and everyone involved in visual communications. Through its editorials, feature articles and the annual competitions it sponsors, CA provides new ideas and information, while promoting the highest professional standards for the field.
For over 58 years, CA continues to showcase the current best—whether it’s from industry veterans or tomorrow’s stars—in design, advertising, photography, illustration, interactive and typography. Everything is reproduced with printing technology and attention to detail unmatched by any trade publication anywhere.
With a paid circulation of over 30,000 (29,351 subscribers and 2,336 single copy sales), CA has a rich tradition of representing the aspirations of a continually-growing and quality-conscious field of visual communications. CA’s editorial content, knowledgeable presentation and writing, use of colour and quality reproduction are all designed to be consistent with the standards CA’s readers set for themselves in their own careers.
Follow these links to view the complete illustration and motion portfolio's for Corey Brickley and Peter Strain
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.