We’re delighted to be able to reveal an early look at ‘Flora: The Graphic Book of the Garden’, a wonderfully illustrated title that is the result of a yearlong collaboration between Sam Falconer and Melissa Smith at Aurum Press that’s set to be officially launched later this year.
‘Flora’ is one of the latest in a series of luxury non-fiction titles published by Aurum, each providing a broad yet carefully considered insight into a select topic with every page boasting beautifully visualised graphics. Sam was the natural choice for ‘Flora’, with his portfolio of lush, information-rich illustrations and his particular bent for natural science. His artwork strikes the right balance between modern and traditional, conveying the intricate handling typical of botanical subject matter but presented with a contemporary outlook.
Illustrating all of the one hundred odd spreads was no mean feat, and Sam found the experience to be a productive learning curve: ‘Over the past few years I have been trying more and more to incorporate elements of the natural world in to my work, so when the opportunity arose to be involved with this project it felt like perfect timing. Throughout the process I found my normal approach evolving to solve some of the problems that I was encountering. For example, the need for much more fluid lines than I was used to and a quicker turnaround on line work forced a long overdue change to my tablet set up, which I am very grateful for now!
The sheer volume of spreads was pretty daunting at first and now I’m at the other end of the process I’m not quite sure how I managed all of them. It was very much a memorable experience though that I think will have a marked effect on my work for years to come. Thanks to Laura and Melissa for bringing the project to reality’.
View Sam's full portfolio of illustration and bio - here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.