We're delighted to share the outcome of Tobias Hall's collaboration with WCRS for the latest Warburtons nationwide campaign, a mammoth project that called on Tobias to create an aesthetic identity for their nationwide print and digital campaign.
Warburtons has become well known for its blockbuster approach to advertising, and they made no exception for their latest offering. British-born comedian Peter Kay was called upon to be the heart, face and indeed body of the Regency-era epic drama, a bread-themed parody of Jane Austen's 'Pride and Prejudice'.
In creating the still assets to accompany the television spot, Tobias maintained the 19th Century look and feel of the advert. He sought inspiration from hand-painted adverts of the period, bringing them up to date with a modern and lighthearted twist in keeping with the humour of the campaign and with Warburtons' instantly recognisable branding.
Tobias' particular ability to create rich, intricate designs that are both refined and dynamic is on full display here, with his attention to detail making each design unique in its own way whilst remaining cohesive as a poster series.
The resulting posters are on display nationwide, and more of the posters can be seen in full here, here and here. You can also learn more about Tobias and view more of his work online by clicking here.
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.