We are delighted to announce two of Début Art’s represented artists have been shortlisted for the 2019 Association of Illustrators’ World Illustration Award. Andrew Archer’s ‘Edo Ball: The Art of Basketball’ (Gingko Press, 2018) and Helen Friel’s ‘Hoakes Island’ (Laurence King, 2018) are both shortlisted in the ‘Books’ category.
Andrew Archer’s ‘Edo Ball: The Art of Basketball’ pays tribute to his twin passions: basketball and Japanese art. What began initially as two self-initiated pieces (‘The Rock’ & ‘The Ghost’) expanded into a stunning series of 45 original artworks. In May 2018, these were collected in a single volume, along with sketches and accompanying text offering the reader a detailed insight into Andrew’s process and inspiration.
’Hoakes Island’, created, designed and illustrated by Helen Friel and co-authored with Ian Friel, is Helen’s début interactive book for older readers. The title engages the reader in an ingenious and immersive narrative puzzle, unfolding inside the magical universe of Hoakes Island Amusement Park. It is the perfect combination of Helen’s intellectual technical approach with her capacity for imagination and storytelling.
Congratulations to both Andrew and Helen, and to all the other illustrators who made the shortlist. The finalists will be announced at the awards ceremony in July 2019.
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.