We are pleased to present a bevy of recent high-profile illustration commissions created by The Red Dress, leading with their cover artwork for the soon-to-be released hardback edition of Michael Palin’s highly anticipated ‘North Korea Journal’, published by Hutchinson September 2019.
The Red Dress’ striking painterly render of Michael Palin’s visage for this title’s cover derives from the stellar work they produced in collaboration with the Metro and Channel 5, for a special edition wraparound artwork designed to promote and advertise the televised programme that the work accompanies. Taking its cue from cultural visual trends and propaganda design, the work is tastefully and sensitively referential, a necessary quality for a documentary about a nation that remains an object of scrutiny and fascination to outsiders.
The Red Dress’ talents for creating carefully styled digital paintings, reminiscent of the golden age of movie posters, also led them to be commissioned by Publicis Ireland earlier this year to work on their ‘Rediscover the Joy of the Train’ campaign for Irish Rail, by Cloud Magazine to produce an homage to vintage classic car posters, by ITV for their nationwide print and online campaign to promote the drama ‘Endeavour’, and by eponymous punk brewers Brewdog for a design for one of their cans.
We hope you enjoy this selection of recent highlights, along with a few other choice examples of their work.
You can see more of The Red Dress’ portfolio on the Début Art website here: https://www.debutart.com/artist/the-red-dress.
Debut Art is pleased to announce that we are now representing artist Andreea Dumuta! Andreea Dumuta is a Romanian illustrator known for her bold and eclectic visual language that blends dark, moody motifs with playful, vibrant colors. Her work often draws inspiration from nature and the animal world, resulting in a diverse body of illustrations that are both whimsical and striking. With a growing presence in the publishing industry, Andreea has illustrated numerous book covers for international publishers including Macmillan, Hachette, Penguin Random House, Simon & Schuster . Her commercial portfolio also includes personal and collaborative projects. Beyond her commissioned work, she continues to explore self-initiated projects that push creative boundaries and reflect her interest in the surreal, the satirical, and the symbolic. When she's not illustrating, Andreea enjoys watching films, exploring the outdoors on long walks, and discovering new music. See Andreea’s full portfoli...
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.