We are very pleased to announce that an old friend of Début Art, Oscar Wilson, will now part of our roster.
We have worked with Oscar for many years now on a project to project basis so it's great to finally be able to show his work in all its glory.
Studio Oscar was founded in London by Oscar Wilson in 1996.
Specialising in image creation and hand crafted typography, Oscar Wilson produces work for a wide variety of clients, with commissions from the advertising world, fashion, publishing, film and TV.
Previous clients include: Crisis, Fabric, Guinness, Honda, Levi's, MTV, Nike, NME, Orange, Penguin, Sky TV, Stüssy, Transport For London, The Observer, Time Out, Twentieth Century Fox, Virgin Atlantic, Visit London, Volkswagen.
Agencies: AMV BBDO, Arnold Worldwide, M&C Saatchi, Mother, RKCR Y&R, Start Creative, WCRS, WWAV Rapp Collins.
Oscar Wilson also works collaboratively with (brother) Ben Wilson on 3D and interior projects, under the ‘Wilson Brothers’ banner. Clients for the Wilson Brothers include: Brooks, Honda, Nike, Stüssy Japan.
Oscar is available and ready to take on any new projects now so please do get in touch.
In the meantime, check out his full portfolio here.
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.