Chris Price, Serge Seidlitz and Craig Ward had an incredible night last friday (apologies for the delayed response) at the V&A.
90 minutes of blood, sweat and tears resulted in Début Art winning the first* of hopefully many more inter agency Secret Wars.
Rain was supposedly going to stop play so "unfortunately" we had to move indoors to what can only be described as an awesome space. Set amongst Raphael's cartoons in an almost church like setting. Crazy acoustics, with Chris Price even heard here singing before we got going.
We had about 200 people sat/stood watching the main event, impressive considering you had to leave drinks outside.
Harry Malt was running his drawing workshop alongside collaborator Chris Bianchi. The best drawings from their workshop were selected at the end of the night and the lucky winners each got a section of the final artwork.
Yehrin Tong was invited to create this beautiful cover for the evenings proceedings which was printed large and folded for the event.
A great night had by all, special thanks to Terry at Secret Wars, Ligaya and Rachel at the V&A, Thomas Whitehead from Say Yes for his "laser soul" and of course Dan at Dutch Uncle and his guys.
In the meantime, check the pics above.
P.S. OUR GUYS WERE ON THE LEFT.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here