Leading original artists & illustrative designers agents since 1985
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Sam Chivers
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advertising colour corporate design editorial publishing subject techniques / style

advertising

advertising animation characters charity games movie posters mural posters product type design typography youth

colour

beige black blue green grey orange pink purple red white yellow

corporate

annual report business corporate decisions financial

design

conceptual constructivist customisation escher icons installation kinetic lettering logo packaging pattern repeat symbols

editorial

editorial health illustrative journalism lifestyle magazine cover

publishing

adult fiction book covers book jackets publishing

subject

City airplanes animals atoms bicycle birds books buildings cars children cityscapes clouds computers crowds dreams energy environment eyes faces family fantasy film fire flags floral food & drink globes halloween hearts horses industrial landscape love machinery maze men mountains music nature neon numbers people places plants political portrait rainbow relationships robots romance science seascape seasonal shopping skies smoke snow space sport summer technology telecommunications transport travel trees water weather women

techniques / style

abstract digital futuristic line printmaking psychedelic sci-fi surreal technical
ALL
ILLUSTRATION
MOTION
DESIGN

Biography

A veteran of the industry, Sam Chivers is a UK based illustrator who has worked with a variety of international clients including:

Adobe
New Scientist
Nature
YHA England & Wales
GQ
Wired Magazine
Playstation
The Guardian
Modus
Atlas Obscura
The Economist
Smithsonian Institute
Penguin Random House
Zurich Insurance Group
Zeit Geld
Washington Post

Over the years he has progressively developed a highly versatile style that fuses a back end of hand drawn elements with 3D generated elements wrapped together in a style that is both warm and engaging.
With an acute sensitivity for colour his work has attracted many clients throughout both editorial and advertising sectors. Proving a safe pair of hands navigating through often complex ideas.

Maintaining a practice of self directed projects away from the pressures of the commercial world has enabled to keep his work fresh and this in turn has also fed back into his commercial practice.
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